
Shape the story
Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing worksAt GHEORGHE NEGARA, post-production is one person with a clear brief and a deadline that holds. Edit, grade, finish — delivered in writing.
Your footage stays yours. Always.
You know the price before a single frame is cut.
One person answers your emails, not a queue.
Feedback in clear sentences, never vague adjectives.
Everything else we do grows out of these. Each project starts with a written brief and a quote you can actually plan around.

Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing works
A look that belongs to your film, not a preset menu. We match scenes, build a palette, and finish in the formats your platform actually accepts.
How color works
Portraits, products and editorial work, cleaned and balanced without that plastic look. Skin stays skin, texture stays texture, and the client stays happy.
How retouching works
GHEORGHE NEGARA is a one-person post house, run by GHEORGHE NEGARA out of Chișinău, Moldova, working with clients in fourteen countries. Small by choice — because a single careful editor, reachable by email, is usually better than a production line.
We don't chase volume. We take on a handful of projects each month, write everything down, and finish what we start. That's the whole method.
You comment in plain notes; we turn each note into an edit, not an argument.
Final files, every format you asked for, and clean project folders you can actually navigate.
A fixed price and a delivery date in writing. Half upfront books your slot; the rest on delivery.
We write down what we will and won't do, confirm the footage list, and lock the deadline before any work starts.

Room tone, footsteps and the silence between lines — the invisible half of the edit.
Read the piece
The histogram is not a beauty filter — it is a map of the scene, and it rarely lies.
Read the piece
The giveaway of amateur studio retouching, and the honest way to deal with it.
Read the pieceWhat I loved was the plain-language notes. Not "more energy" — actual instructions I could act on.
The before-and-after on our product shots sold the retouch better than any words.
Quotes reflect individual client experiences. Results vary by project and are not a guarantee of any outcome.
Send a brief and a deadline. You'll get a fixed quote back within one working day.